Dreams, Views and Teachings of Great People Essay

History is made up of significant events, which shape our future and exceptional leaders who influence our destiny. Leaders such as Martin Luther Kink Jr., Mahatma Gandhi, and even various prophets. Their contributions to our history place them in this unique position. Each of them has their own stories, dreams, views, beliefs and goals in life; and yet they are also similar in a vast amount of ways. My objective here is to compare and contrast these leaders as well as discussing the connection to modern day prophets if any. In order for Mahatma Gandhi to reach his ultimate goal, he had to prove worthy of its rewards. All that Gandhi wanted is for people to begin to respect his ideas and see that his belief truly was just. Gandhi spoke of non-violent resistance as a method to help the opposing side see how they were committing sins. Gandhi used inspirational words to encourage his people. He was motivated to begin fighting for Indian rights after being humiliated, and then he had faith that he could help India achieve independence. He knew that if Indians remained nonviolent and forgave the enemies, they would someday be rewarded. To show his responsibility and commitment to the fight Gandhi was subject to fasting, abstinence or the use of non-violence as a political tool. Gandhi led many campaigns, organized strikes, and stayed true to him self just to convey a message to the people. Gandhi claimed to be no more that an average man with less than average ability. He did not want any special advantage for what he did. He believed that any man or women could achieve what he had, if he or she would make the same effort and grow the same hope and faith. Martin Luther King Jr. took the lessons taught by Gandhi to the oppressed of India, and applied them to the oppression of the blacks in America. He also used words of wisdom to encourage his fellow African Americans, to see how deserving they are of equal treatment. King adopted Gandhi’s method of non-violence, realizing this is the path to freedom. His tactics of protest involved non-violent passive resistance to racial injustice. King was merely  a role model whose mission in life was to serve others. His wisdom, words, commitment, deeds, and dreams for a new shine of life made others full of hope. His visions and goals were simple, yet breathtaking. Some major similarities between the two are that they both speak of G-d in a personal way; they speak of Him as the truth. They both teach others by their own examples, and they both take an active part in politics. Most importantly they both taught us to open our eyes to the truth. This just shows you that some of the greatest people started out as nothing and developed/changed into leaders of the world. Although their efforts have brought about tremendous progress, their work is no way complete. My reason for this is that we have still not yet achieved equality among people of all races. Yes, we all ride in the same bus, but equality is still a major issue. I think just to connect this to Tanach and Jewish Law, a great way to do something is to get involved in the community and get people thinking about the issues, because if racism and equality aren’t even on our minds how can we do anything about them? Even by just thinking about this will make their dreams a reality. What is a prophet? Based on Tanach class and the movie, we learn that it’s a person whose message is always relevant; and they addressed modern situations and current issues. Prophets loved their nation; they were fearless of most things; and they were students of history. Also they were men of prayer, and had personal relationship with political and religious leaders of their day. The more specific things they did are pass on the message of G-d, inform people of wrong doings and set them on the right path, etc. Taking a look at Amos, he was bold and fearless when called to deal with evils of the day. He was known for his sense of justice and pride. Today I think his message would be that people should love and treat all as equal status. Now if we compare this general definition of a prophet to MLK Jr. and Gandhi, then yes I do think they fit the role of prophets. Still I don’t know if they would be considered modern day prophets. Simply because I don’t have a true idea of what I believe about modern day prophets. But it is safe to say that they were the heroes of our generation. We just have to hope they know it!

Design of Single Mode TE Mode Optical Polarizers

Design of Single manner TE mode optical Polarizer Using Silicon Oxynitide multilayed wave guide Abstraction–A Si oxynitride ( SiON ) guided movie is used as multilayered wave guide and utilizing transportation matrix method.We propose the application of wave guide as a TE-Pass polarizer and TM-Pass polarizer holding a passband in the 3rd optical communicating window of 1550 nanometer. Polarizer is cardinal constituent for devices which require a individual polarisation for their operation. Most of the polarizers use metal clad wave guides with proper thickness and refractile index of screen and substrate. Index Terms— Optical Polarizer, Multi-layered wave guide, TE manner, Silicon oxynitrideIntroductionOptical wave guide: An optical wave guide is a physical construction that guides electromagnetic moving ridges in the optical spectrum. Common types of optical wave guides include optical fiber and rectangular wave guides. To manufacture a planing machine wave guide ( Fig.1 ) , normally a movie ( refractile index) , with a screen bed ( refractile index) , is grown on a substrate ( refractile index) such thatSuch wave guides are known as asymmetric wave guides. For symmetric wave guide, the screen and substrate are fabricated with same stuff and the refractile indices are equal, i.e.. If there are more than one bed between Cover and Substrate, so such type of optical wave guides are known as Multilayer Waveguide. In a multi-layered wave guide, we have pick to manufacture as many beds as we required. We can choose the thickness of the beds and the type of the stuff harmonizing to our demand. Fig. 1 Geometry of 3-layer wave guide construction For a N-layer construction, theDefineframe receives the vacuity wavelength, the refractile index valuesns ( substrate ) , n1, †¦ , nN ( interior beds 1 to N ) , nc ( screen ) , and the thicknessest1, †¦ , tNof the interior beds. All dimensions are meant in microns. The figure illustrates the relevant geometry: Fig.2 Geometry of multilayer wave guide construction Multilayer wave guides are used in the execution of a assortment of optical devices including semiconducting material optical masers, modulators, wave guide polarisers, Bragg reflectors, and directional couplings. During the last 20 old ages, many efforts have been made to work out the moving ridge equation for the propagating manners in a general, lossless or lossy multilayer wave guide, in such a manner as to ease the design and optimisation of the above optical devices. TE-Pass Polarizer Silicon oxynitride ( SiON ) planar waveguide construction can be fabricated by utilizing plasma enhanced chemical vapor deposition ( PECVD ) . In this technique oxidization reaction is initiated by plasma instead than utilizing external warming beginning. Other techniques are runing technique, vapour stage deposition technique but CVD technique is superior. These wave guides find assorted applications in optical communicating particularly as wavelength filter, microresonator, modulator, polarisation splitter and 2nd harmonic generator. A SiON guided movie is used as multilayered wave guide and utilizing transportation matrix method we propose the application of wave guide as a TE-Pass polarizer and TM-Pass polarizer holding a passband in the 3rd optical communicating window of 1550 nanometer. Polarizer is cardinal constituent for devices which require a individual polarisation for their operation. Most of the polarizer usage metal clad wave guides with proper thickness and refractile index of screen and substrate. Multilayer wave guides are used in the execution of a assortment of optical devices including semiconducting material optical masers, modulators, waveguide polarizer, Bragg reflectors, and directional couplings. We propose a multilayered SiON wave guide fabricated on substrate and has metalas screen is shown in fig 2. The pick of SiON is made for its extremely desirable characteristics such as low interpolation loss, broad scope of refractile index tailoring and realisation of compact devices because of its low bending loss. The present constellation of optical polarizer will happen applications in incorporate optical circuits, signal processing from fiber ocular detectors and fiber gyroscopes. For the analysis of the wave guide we have used the transportation matrix preparation. Fig.3 Geometry of multilayer wave guide construction = refractile index of the screen = refractile index of the movie i=1, 2†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦r = refractile index of the substrate = thickness of the movie bed in micrometer = thickness of the movie bed in micrometer Figure 1:Formulation For the computation of extension invariable and ensuing extension manner profile of multi-layered wave guide, there are following methods: – 1. Disturbance Method ( 4-layer ) 2. Newton’s Method 3. Mode-matching method ( 5-layer construction ) 4. Transfer Matrix Formulation 5. Argument Principle Method The disturbance method for a lossless 5-layer construction, for a lossy 4-layer construction, and for a metal-clad wave guide was used to find the extension invariables and the ensuing propagating manner profiles. Newton’s method was used for metal-clad wave guides where the derived function of the scattering equation can be obtained analytically. A graphical method, every bit good as formal electromagnetic analysis methods such as the mode-matching method, was besides used. The disturbance method every bit good as Newton’s method can non easy be extended to multilayer constructions, since their attack is analytic and the expression involved become cumbersome. None of the above methods can easy foretell the figure of propagating manners supported by the multilayer construction. This is a serious job since there is no manner of cognizing when to halt seeking for new propagating manners or even if the wave guide really can back up any manner at all. In fact, an extra analysis must be used to find the figure of guided manners before using the zero-searching techniques. Even if the figure of bing propagating guided manners is given, there is no verification that all the manners will be found. All the above mentioned methods have serious jobs in turn uping closely spaced roots. Furthermore, all of them need an initial estimate near to the existent nothing. This initial estimation may be hard to happen, particularly for high-loss propagating manners where the popular disturbance method does non use. The method which we are utilizing, is based on complex figure theory. It is capable of happening the nothing or poles of any analytic map in the com plex plane. The scattering equation of a general multilayer wave guide is formed via the construct of thin-film transfer-matrix theory. After its uniqueness points are observed, the complex plane is divided into parts where the scattering equation is analytic, and all the zeros inside each part are found. In add-on, the method provides the figure of nothing or poles in each part. The transfer-matrix analysis provides an easy preparation of the multilayer construction job. The method will be presented for TE manners but the extension to TM manners is straightforward. Fig.4 TE-Pass Polarizer A multilayer nonmagnetic slab wave guide construction(  µ= µO) ,is shown in Fig. 2. The refractile index,,of the IThursdaybed can be complex in general, i.e. ,,where,is the extinction coefficient of the IThursdaybed and I = 1.. . ..randRis the layer figure. For aTelluriummanner propagating in the+way in the IThursdaybed, (tenI? x ? xi+1) , the electric field is,and the magnetic field in the same bed iswhereare the unit vectors in theten, Y, omegaway, severally,is the radian frequence, andis the complex extension invariable withandthe stage and the fading invariables severally 2.1TE Mode A multilayer nonmagnetic slab wave guide construction(  µ= µO) ,is shown in Fig. 3. The refractile index,,of the IThursdaybed can be complex in general, i.e. ,,where,is the extinction coefficient of the IThursdaybed and I = 1.. . ..randRis the layer figure. For aTelluriummanner propagating in the+way in the IThursdaybed, (tenI? x ? xi+1) , the electric field is,and the magnetic field in the same bed iswhereare the unit vectors in theten, Y, omegaway, severally,is the radian frequence, andis the complex extension invariable withandthe stage and the fading invariables severally By utilizing Maxwell’s differential equations, we get For TE manner, = 0, merelyconstituents will show. So by work outing above two Maxwell’s equations, we get ( 1 ) ( 2 ) ( 3 ) ( 6 ) whereis the freespace permittivity,and, c is the velocity of the visible radiation in the freespace andis the freespace wavelength. The electric and magnetic The Electric and Magnetic digressive Fieldss within the IThursdaybed are solutions of above equation, and can be written as = AI+ BI( 7 a ) =j( 7 B ) When we apply boundary status at=in equations ( 7 a ) and ( 7 B ) , so we will acquire ( 8 ) =cos []+( 10 a ) ( 10 B ) Adding equation ( 10 a ) and ( 10 B ) ( 11 ) Using the continuity of the digressive Fieldss at any layer interface in the multilayer construction, the Fieldss digressive to the boundaries at the top of the substrate bed,and at the underside of the screen bed,, are related via the matrix merchandise =[( 12 ) Where for one = 1,2†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.. , R( 13 ) Are the transportation matrices for all of theRbeds holding thickness. For propagating manners, the digressive Fieldss at the boundaries must be exponentially disintegrating holding the signifier ( 14 ) And ( 15 ) Where, From equation ( 12 ) , we get The extinction ratio ( PER ) is defined as the ratio of power staying ( at the end product terminal ) in themanner () to the power staying ( at the end product terminal ) in themanner () , expressed in dBs. In add-on, the interpolation loss ( PIL ) is defined as the power loss associated with themanner. Frankincense: PER= 10 PER=Loss in dubnium?Loss in dubnium PIL= 10() PIL=Loss in dubnium The above equations assume that the inputmanner has unit power at the input terminal of the polarizer. In order to hold a good TE-pass polarizer, we require the power staying in the desiredmanner at the end product terminal of the polarizer to be every bit high as possible. Hence a low value of PIL is desirable. The effectivity of the polarizer in know aparting against the transition of themode comparative to themanner is measured by the PER parametric quantity. Therefore, this parametric quantity should be every bit high as possible. Hence, we require a high PER and at the same time a low PIL. Figure 5.1: Effective index w.r.t.normalized movie Figure 5.2: Loss w.r.t.normalized movie bed Fig. 5.3: Effective index w.r.t.normalized movie bed Fig. 5.4: Loss w.r.t.normalized movie bed Decision First of wholly, we have checked the map of TE manner by utilizing transportation matrix method [ 2 ] . The value of stage changeless and fading invariable for 6-layer Lossy Dielectric Waveguide are available. The available informations were calculated by the method of Argument Principle ( APM ) . Transportation Matrix method has been used to analyze a four superimposed waveguide dwelling of SiON as guiding movie. On this footing, we have designed TE base on balls polarizer. The scope of SiON movie thickness was estimated so that merely the cardinal pervert TE0is supported. The computations showed that in the thickness scope of 0.7 µm -2.2  µm of SiON, the wave guide supports merely TE0manner. In TE manner base on balls polarizer, the loss of TE manner is in the scope of 0.2 – 2.5 dB/cm and for TM mode its scope is 40 – 45 dB/cm, which rather higher in comparing to TE manner. So in this type of constellation of four bed wave guide, merely TE manner will go through. Mentions [ 1 ] Vishnu Priye, Bishnu P.Pal, and K.Thyagarajan, â€Å" Analysis and Design of a Novel Leaky YIG Film Guided Wave Optical Isolator, †J. Lightwave Technol. , vol. 16, No.2, February 1998 [ 2 ] Anemogiannis and E.N.Glytis, â€Å"Multilayer waveguides: Efficient numerical analysis of general constructions, †J. Lightwave Technol. , vol. 10, pp. 1344-1351, 1992 [ 3 ] M.Ajmal Khan and Hussain A. Jamid, â€Å" TE/TM Pass Guided Wave Optical Polarizer† , IEEETEM2003 [ 4 ] H.Kogelnik, Theory of Optical Waveguides in Guided-wave Optoelectronics, T. Tamir, Ed. New York: Springer-verlag, 1988 [ 5 ] AJOY K. GHATAK, K. THYAGARAJAN, AND M. R. SHENOY Numerical Analysis of Planar Optical Waveguides Using Matrix Approach [ 6 ] Ajoy Ghatak and K.Thyagarajan, â€Å" Optical Electronics’’ , Cambridge University Press [ 7 ] Joseph A Edminister and Vishnu Priye, â€Å"Electromagnetics Schaum’s Outline, Tata MacGraw Education Private Limited†

Charting a New Course for Schools Essay

Marc Tucker’s article, â€Å"Charting a New Course for Schools,† highlights the most urgent problems that the American education system currently faces. He mentions the need to reform the education system in order to compete in today’s global economy.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Tucker pointed out the deficiencies of the educational system in the country today. Furthermore, he stressed on the need to implement changes to the system. The author focused on information that evidently shows why there is an urgent need to overhaul the educational system.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   According to Tucker, the report of New Commission on the Skills of the American Workforce, â€Å"Tough Choices or Tough Times, provides an overview of the current status of the American labor force. It shows how the American workers are lagging behind workers from developing countries in terms of skills and abilities. Also, Tucker points out that workers from developing countries possess the same skills and knowledge as American workers and yet are paid lower wages. This poses a problem for American workers since it is a given that any business man would choose to lower costs for the same quality. American workers are losing their edge in the labor market due to the antiquated education system of the country.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   The dilemma for American workers is this, they must either give up their current standard of living or they must improve themselves in terms of skills, talents, and abilities. The latter, according to Tucker, is the reason why a revamp of the country’s education system has become a necessity.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Tucker points out two criteria that the United States must meet in order for its workers to continue commanding their high wages and maintain their standard of living. The author says that first, American workers must match the best academic performance in the world. At the same time, Tucker said, the country must offer workers that are the most creative and innovative.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   The article also highlighted the characteristics of a premium worker or the worker that deserves to be paid premium wages. According to the author American workers should become premium workers in order to receive the current wages that they are receiving. He described a premium worker as someone who has a high level of preparation in the general areas of reading, speaking, mathematics, history, literature, fine arts, and science. Furthermore, a premium worker should be comfortable with new ideas and abstractions. He must also be creative and possess the imagination to come up with meaningful and useful products for the company. Premium workers must also possess the ability to solve problems by using their knowledge from various fields. Lastly, Tucker described a premium worker as someone who is a team player and can easily adapt to the various changes around him.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Premium workers are products of a good and up-to-date educational system. This is the current problem of the education in the country as the current system is no longer adept with the conditions of today. To tackle this problem, Tucker suggested seven steps that can be taken to reform the American educational system. First, Tucker suggested charting a new course for student progression through the system. This requires a total reorganization of the system and opening of new educational opportunities as the students progress. Secondly, the author pointed out the need to reinvest resources where they are most needed and where they will be most efficiently used. This means that available resources should be allocated to areas of the system which can produce the greatest amount of rewards for the students. Another step is to initiate a universal preschool educational system. Tucker viewed preschool education as the foundation of school-based learning. If students are to become highly-skilled workers, they must have a good education foundation and preschool education is the integral aspect of such foundation. For teacher recruitment, Tucker suggested that schools recruit those coming from the top third of the college class. This will ensure highly-educated and competent teachers. Moreover, Tucker suggested the adoption of high-performance management modes to improve schools and districts. Also, he pointed out the need to provide strong support to disadvantaged students. Finally, he proposed the rebuilding of standards, assessment, and curriculum to reflect today’s needs and tomorrow’s requirements. In general, Marc Tucker’s article discusses the problems of the antiquated American educational system and its severe effects on the country’s labor force. I believe that there is indeed a pressing need to revamp the current educational system. Education in the country today no longer meets the needs of the economy. The labor force that the educational system produces is insufficient in terms of skills and abilities. The workers lack the necessary skills that warrant the wages they get. It is for this reason that American and international firms seem to turn to developing countries for their labor needs. If American workers are to remain deserving of the wages they receive, they must become more competent and highly-skilled. It is my opinion that the only way that the country will produce highly-skilled, creative, and innovative workers is to change the educational system. The system should focus more on the development of skills necessary for the various employment needs today. It is the right of every citizen to be properly and adequately educated in order to survive. The current system can no longer provide the educational needs of the people. The primary reason why people go to school is to prepare them for work. Since workers currently receive sub-standard education, they lack the skills and abilities that the labor market needs. Evidently, the only solution to this dilemma is, I believe, to revamp the educational system.

Why the triangle fire gave future workers and unions the idea to Research Paper

Why the triangle fire gave future workers and unions the idea to strike for better working condintions - Research Paper Example The fire in the factory took lives of 146 men and women, most of them in their teens.2 The incident triggered whole nation as it was not only failure of management who couldn’t provide better working conditions but also failure of the government in its ability to monitor the safety and well being of the people working in these factories. Industrial revolution was on a song during the period when more and more factories were built to produce garments and more women, mostly immigrants, were employed in these factories who silently worked in hazardous and dangerous working conditions. Most of the industries relied more and more on machinery which required human assistance to run and business owners depended on workers to stand in assembly lines, to throw switches and to turn gears so as to produce more output at low cost.3 The unsanitary conditions in the factory forced to workers to form a group and call a strike in 1909 of which 80 percent were women, demanding higher wages, fe w working hours and formation of union, an organization that would work towards improving the working conditions of employees. ... ed a committee to investigate about worker health, safety, well being, physical conditions of work, wages, hours, child labor, and even issues such as mandatory education, cleanliness, and toilet facilities. The loss of life by the fire incident gave rise to a movement to reform the safety rights of workers. The tragedy created outrage among worker community forcing the government to address workplace safety and create a Fire Department Prevention Division so as to eliminate the risk of fire hazards in cities sweatshops.7 The fire triggered sense among the people who looked upon the labor unions for protection and workplace safety resulting in dramatic rise in the membership of unions. The idea of providing better working conditions triggered state wide protests with union leaders carrying strikes for better pay, reduced number of hours, hygienic conditions and safety measures. Women organizations also formed which followed the incident and worked towards additional safety procedures and working conditions for women workers. The new law enacted which is called ‘Wagner Labor Act’ provided new and enforced laws like mandated sprinkler systems, fire escapes, education and prevention, no unlocking of door during working hours, etc along with protecting working in the unions and reduced the working hours to 54 hours for women and children apart from other safety regulations8. The labor act provided workers with information about their rights which became a motivation factor for most of the strikes carried out later on in the city. Women grew stronger and braver fighting for the cause of their rights which was evident during Philadelphia shirtwaist strike where women’s were more involved in the struggle to determine their goals, even in defiance of their union leaders

Market Microstructure Approach Essay Example | Topics and Well Written Essays - 2000 words

Market Microstructure Approach - Essay Example The above factors will therefore be important in answering the discussing whether the market microstructure to exchange rate has been a radical departure from the 1960's, 1970's and 1980's international macroeconomic models. This will involve assessing ach factor against a certain model thus noting the development undergone. For example, the economic growth under the monetary model of the 1960's was slow compared to the economic growth in the recent market microstructure approach. Combining these factors with the market exchange rate expectations will give us the current change value. According to the monetary model argues that relative price levels of any given two countries will provide the determinant to exchange rate. ( Obstfeld, M. and Kenneth, R, 1996) The real output level in a given country will also be a very important factor in assessing the models development; this is because it directly affects the price levels of certain goods and services. For instance, a rise in the United States output level with the other factors remaining constant will lead to a fall in the average prices in the US this will in return lead to the dollar appreciation. Past and future fundamental economic factors will matter a lot since the plays an important role of determining the future market expectations rate. Some of the traditional model of exchange rate includes asset market approach, mundell Fleming model orgarch model among others. They all had a shortcoming of failing to explain exchange rate movement's ion the long run. Mundell Fleming Model This theory was developed by Marcus Fleming and Robert Mundell in the 1960's. It was an extension of the LM model describing a small open economy. It gives the relationship between the nominal exchange rate and output of an economy in the short run. The model assures that under fixed rate regime an increase in government expenditure will shift the cure to the right. (Hamilton, 1994) This shift will increase the interest rate with the resultant effect being an appreciation of the exchange rate. In the fixed system framework the exchange will be controlled by the local momentary authority. The momentary authority stabilizes the exchange rate by using local currencies to purchase foreign currencies. This will in turn shift the LM curve in line with the direction of the IS shift, a thing that helps in lowering the exchange rate by increasing the supply of local currency in the market. However, a decrease in the government expenditure will shift the IS curve to the right. The shift will lead to a decline in the level of interest rate resulting to a depreciation of the exchange rate. (Hamilton, 1994) The central bank or relevant monetary authority will vary the money supply so as to realize a constant exchange rate level. Local authority adds its foreign reserves through increased purchase of foreign currencies using the local currency. this will lead to exchange rate appreciation.Incase it wants to depreciate the exchange rate the authority will use the foreign reserves to purchase its own currency to

Critically examine theory of demand supported by the examples from Essay

Critically examine theory of demand supported by the examples from wine Industry (moldovan wine) - Essay Example In other words, there is a likelihood of people tending to purchase a different product that can give them the same satisfaction or other alternatives in which they spend a smaller amount of money (Cachon & Terwiesch, 47). The relationship between price and quantity demanded is represented in the figure below (fig. 1) There are various determinants of the quantity demanded, which lead to a shift in the demand curve. The shift is either outwards whereby the demand of a product goes up or goes down (inward shift). Consumer tastes and preferences are among the determinants that can either increase or decrease the demand (Fairey, 31). For example, if consumers gain confidence in Moldovan Wine, they are likely to buy more than other kinds of wines. In such a situation, even if the price increases and that of other wines reduce, the demand may not react to the price changes. The tastes of consumers shift the demand to the right. On the other hand, if it does not satisfy consumer preferences, the demand falls (shifts to the left). The number of consumers in the particular market is also a major determinant of demand. If more consumers enter the market, the quantity demanded increases (Cachon & Terwiesch, 66). For example, if the number of Russian and other nationals in the region increases in South Africa during the FIFA world cup, the demand for Miestii Mici may rise as people tend to get a taste of the wine that they are used to. In the regions where the wine is not known to many consumers, less of it is consumed. The income of consumers also affects the demand of a commodity. For example, Miestii Mici is affordable to even the low income consumers and therefore the demand is usually high among people of diverse income levels. The prices of related goods are also a major determinant of the demand for a product. If there happens to be another product that can be used as a substitute for the Moldovan wine, consumers tend to purchase what is easily

Negotiation Essay Example | Topics and Well Written Essays - 1500 words

Negotiation - Essay Example Additionally, the discussion would incorporate revealing the most essential lessons that can be learned from the Stitt Feld Handy negotiation simulations and designing an effective negotiation skill for future implementation. Integrated Discussion Prior Understanding and Experience of Negotiation According to my perception and practical experience, negotiation is often observed as an effectual tool especially when there lay any sort of conflict or disagreement amid the parties regarding any issue or event. It can often be termed as a significant aspect which may act in different ways such as in a descriptive, narrative or in a prescriptive manner (Babcock & Lascheve, 2008). In general, the basic negotiation approach can be characterized into various types such as structural, strategic, behavioral, concession exchange and integrative negotiation approach (Food and Agricultural Organization of the United Nations, 2008). With regard to my personal experience, the primary objectives of a ny negotiation process generally comprise substance goals as well as relationship goals. In relation to the substance goals, the outcomes are generally identified in accordance with solving various issues or complexities. It is worth to mention that the prime intention of an effective negotiation process significantly involves three major attributes such as quality, harmony as well as efficiency that enable both the parties to supportively act with each other to mutually accomplish their respective interests. Therefore, my feeling towards the concept of negotiation is that the process is nothing but a decisive tool which can be implemented to address different sorts of conflicts or disputes that takes place amid the parties (McCuddy, n.d.). In accordance with my own experience, I had participated in negotiating few numbers of conflicts wherein the parties possesses dissimilar preferences and interests. In this regard, one of my experiences which dealt with resolving the conflict bet ween the managers and the team members of a particular organization can be taken into concern. The conflict mainly emerged due to the happening of an accident in the production unit resulting in a labor to be physically harmed. In response, the management of the organization charged a certain amount of money to the labor because of the damage to certain valuable production related materials or components. This eventually raised the conflict between the labors and the management team of the organization by a greater degree. In this scenario, I have been witnessed to visualize an effective form of negotiation process wherein the managers and the team members of the organization are mutually agreed upon to adopt a beneficial decision. The decision has been made through balancing the interests of both the parties. My response towards this particular negotiation was to identify the actual cause which led to the conduct of such unforeseen accident. In this regard, I pointed out that the i neffective training provided by the management to its laborers ultimately caused the accident. Therefore, the negotiation procedure aimed at mutually mitigating the raised conflict between the management and the laborers through compromising their respective

Investing in foreign hospitality industry in Switzerland Research Paper

Investing in foreign hospitality industry in Switzerland - Research Paper Example Swiss Statistics observes that the uncountable benefit has attracted more than 6,500 international foreign companies that are currently located in Switzerland. It has an attractive market, offers unique production skills, and serves as a gateway to Europe. It is strategically located at the centre of Europe, which ensures easy accessibility of all European markets. It is referred to as the centre of competitiveness in Europe, as it plays an important function in financial markets internationally. It is also the center for many international organizations like World Trade Organization, WHO and UN, among others. Therefore, the hotel industry can do well here as there are many potential customers who have to eat and spend in hotels. Presence of international trading companies, law firms, and insurance companies, freight forwarding companies, security firms and surveillance firms certify Switzerland as a true global business center. Switzerland has greatly improved over the past years as an investment center. It continually enhances foreign and domestic investments through improvement of circumstances and conditions. Expansion of Mirvac group of hotels to Switzerland will improve the company’s reputation and image. Switzerland is an international country and presence of these hotels will ensure its loyal customers get their services, away from home. It will also make it be recognized internationally, as many foreigners come here. Therefore, it will market it internationally, and hence, investing in other countries will also be easy. Investing in Switzerland is therefore an important strategy for the company’s future prospects.... Investing in Switzerland is therefore an important strategy for the company’s future prospects. Current Global Trends Globalization has had various effects on the industry of hospitality. The positive impacts are exposure to diverse cultures, large market, economy development, technology advancement, promotion of creativity, increased job opportunities, development of travel industry, and availability of international services. Exposure to different cultures will help managers in the hospitality industry to learn different cultures as they interact with people from different walks of life. Globalization has increased customer base, as people travel for businesses and holiday, health and other purposes (Swiss Statistics, 2000). This increases the market for the industry of hospitality, with major income from international visitors. Visitors from various cultures, cuisines, customs and languages ensure variety of services that meet their needs. This greatly improves the hospital ity industry, and Mirvac Group of hotels will reap this benefit. Globalization also has negative effects on the hospitality industry like language barrier, cultural barrier, disasters or events in other countries, seasonal environment, bad habits, and crime rate increase. Though these may be a barrier to the hotel investment in Switzerland, the management should still invest here but employ people with wide language and cultural knowledge. These employees will effectively handle and serve different people from different cultural and language backgrounds. PESTLED Analysis of Switzerland Political System The tri level political system in Switzerland is very effective, because county and state governments are highly controlled. They are very understanding situation as well as

Which Way, Natural Selection or Intelligent Design Essay

Which Way, Natural Selection or Intelligent Design - Essay Example Looking from the position of the ontological complexity, the two ideas include the existence of the different forms of life, however, in the case with the intelligent design the designer and the material employed in the design  have to be included (Muggy 1). In addition, a problem arises regarding the intelligent designer origin. Since, this creator has a greater capability and more complexity than even the capabilities of the current human beings. This poses a question, are humans supposed to be designed? However, in regards of the dynamic complexity of a human life, both theories tend to agree on the reproductive capabilities of all the organisms, though this is not very clear in the intelligent design theory. On the other hand, the natural selection implies that there is a biological process which accounts for the observed similarities amongst offsprings and their parent organisms (Roderick 1). Indeed, it is easier to believe this since this phenomenon can be observed in many of the organisms, this further implies that there should be a particular activity that allows such functioning. However, the intelligent design theory postulates the presence of the design processes which are outside of whatever goes on during the reproduction. In regards to the explanatory power, the evolutionary theory also takes the lead. Due to the fossil records, the gaps between the species are completed. Indeed, fossils point out at the transitional period which a particular organism passes to another state as indicated in the Charles Darwin theory. However, the intelligent design does not account for the transitional fossils, thus, with the discovery of more fossils, the weaknesses of the intelligent design are laid bare. By and large, the... This essay stresses that a problem arises regarding the intelligent designer origin. Since, this creator has a greater capability and more complexity than even the capabilities of the current human beings. This poses a question, are humans supposed to be designed? However, in regards of the dynamic complexity of a human life, both theories tend to agree on the reproductive capabilities of all the organisms, though this is not very clear in the intelligent design theory. On the other hand, the natural selection implies that there is a biological process which accounts for the observed similarities amongst offsprings and their parent organisms. Indeed, it is easier to believe this since this phenomenon can be observed in many of the organisms, this further implies that there should be a particular activity that allows such functioning. This paper makes a conclusion that in regards to the explanatory power, the evolutionary theory also takes the lead. Due to the fossil records, the gaps between the species are completed. Indeed, fossils point out at the transitional period which a particular organism passes to another state as indicated in the Charles Darwin theory. The intelligent design does not account for the transitional fossils, thus, with the discovery of more fossils, the weaknesses of the intelligent design are laid bare. By and large, the intelligent design argument on irreducible complexity, that is contrary to the evolution principle, does not explain the reason why some forms of life exhibit similar characteristics and some organisms have parts in common, but perform different duties. Indeed this gives support to the evolution theory

Americas New Economy Essay Example for Free

Americas New Economy Essay As the 1900s gave way to the new millennium, it became increasingly clear that a new era in American (and world) history had begun. The old era had been dominated by the Cold War struggle between the United States and the Soviet Union. The new era was defined by the rise of a new global economythe ways in which the worlds peoples lived, worked, and governed themselves. Global communication, trade, and capital flow all grew rapidly (Griffith, Baker 531). The United States rose to being the most powerful military supremacy nation in the world due to Reagan and Bushs destruction of the Cold War, bridging the 80s into the new 90s. George Bushs CIA and ambassadorial experience provided Americas key to our foreign policy negotiations, aiding in our nations leadership over the world. This defeat and new era caused our domestic and social society within America into a state of confusion and caused Americans to question what role they would play in this new society. Not only did the Cold War define Americas stance in the world, dictating foreign policy choices from southeast Asia to Latin America; it defined the contours of domestic politics as well, (Chafe 549). How can we believe now after September 11, that we still or always have had leadership or supremacy in this world? How could the heart of our country be damaged so much affecting our nation as a whole? This recent tragedy damaged the core of our patriotism changing foreign and domestic policy after the 90s. During the 90s, a time of new cultural expression and power, the US was willing to use any economic, political, or military force necessary to uphold the new global system. After the Reagan legacy, President Bill Clinton created the New Democrats, which, sought to replace the partys older industrial and agricultural bases with a new, if unwieldy, coalition of women, minorities, social liberals, and technological progressives, (Griffith/Baker 533). In looking at Chapter 14 in Griffith/Bakers Major Problems in American History Since 1945 and Chapter 16 and the Epilogue in Chafes The Unfinished Journey, we will consider the new goals and values of both the USs domestic and foreign policies, and find that although positive changes have taken place since 1945, the US still is yet to live in a society free of homelessness, poverty, and crime reflected by the tenacious power of race, class, and gender blocking the path toward  independent freedom. Throughout American history, the issue of freedom has always prevailed and equality of everyone wasnt brought up until the early to mid 1900s. The peoples dependence and underlying trust within the government to withhold and protect has put our society on a roller coaster of trust, distrust, and betrayal. the Nixon presidency and his foreign policy breakthroughs with China and Russia had barely taken hold before the devastating constitutional crisis of Watergate occurred, threatening to undermine the very structure of the American political system and peoples confidence in it. Followed quickly by the nations first defeat in war (Chafe 497). Busch had decided not to respond to much of the conflicts happening with Gorbachev, because if he had, it could have created greater instability, more violence, and a stronger likelihood of counter democratic action, such as the Soviet Union. Busch in causing the two-superpower leaders to arrive at a new arms control treaty that promised the reduction of nuclear weapons arsenals of the world. Buschs only major error was quickly recovered by quickly becoming Yaltsins allies, beginning a new coalition where both world powers would enforce world peace. After Desert Storm, the US entered a prolonged recession causing confusion amongst Americans because Busch didnt care about domestic policies. Because of Buschs carelessness of domestic policies, it reflected upon the public not caring about domestic policies nor within the government. The new young light in America was created by the new elections. Clinton bringing a new young light to society during the election of 1992 believed that through the idealism during the sixties were those which should be reflected upon now during the 90s. Clintons ideas were: investing to create new jobs, supporting new technology, rebuilding the nations infrastructure, and creating a new partnership between management and labor to increase American productivity and competitiveness in world markets. The major political campaigns were advancing with technological advances with campaigns  portrayed through the amazing new power of talk-show journalism. Ross Perots ideals, opposite of Clintons, were expressed through talk-show journalism shaping political dialogue and activity. Many talk show hosts provided a direct outlet for politicians to reach the Americans at home through television. The political wars went on and with Clinton winning the democratic election. This allowed Americans to dig themselves out of their deepest problems by re-imagining themselves and fulfilling their dreams. Clinton was faced with issues similar to Franklin Roosevelt, in the midst of the Great Depression, they were in many ways far more complicated and intractable, calling upon the same breadth and depth of leadership skills that FDR had deployed in the 1930s, (Chafe 512). As one magazine wrote, what excites people about Clinton, is precisely the degree to which he speaks to their hunger for meaning and purpose, their half conscious and often inchoate desire to transcend the selfishness and meaningless of materialistic and narcissistic society,' (Chafe 511). Clintons gay policy in the war, dont ask, dont tell, were looked at as actions profoundly alienating liberals and gays. His next policy, national Healthcare, failed to the Republicans criticizing and ultimately causing his policy to disintegrate. This was Clintons down and thought it was over until the American society regained confidence with him when he passed a bill which caused restrictions on free access to handguns and assault weapons. He also created the Americorps, a young group of people volunteering to work among Americas disadvantaged populations. Finally touching up on domestic policies, the American society gained faith in him. The 1994 elections were different and Clinton was on his way to coming back. He wanted to represent a Democratic smaller government. Richard Norris guiding Clinton, made him invulnerable to the issues of high taxes, crime, welfare, federal budget, and affirmative action which Republicans could use against him. Clinton defined positions that would seem reasonable to the middle-class voters and also portray the Republicans as radicals seeking to overturn 60 years of progress and advance his own agenda on issues that cut in his direction such as education, the environment, and womens rights. Clinton proved to the public that the Republicans mainly Dole was a threat  to the middle class stability, and eventually won the election exclaiming, the era of big government is over. The voters decision was for a divided government,  not for one party over another. Only by ensuring that one party could balance and counter the other, they seemed to be saying, could the nation be protected from moving too far either toward liberalism and big government on the one hand, or toward conservatism and the end of entitlements on the other, (Chafe 527). Americans wanted politicians to proceed down a middle path, not straying to either side too far. Although race had been dealt with by the government, it still defined power, control, status, economic opportunity, and freedom. This issue has improved dramatically, but race has always been the central theme to American history. It has been so much misconstrued, that the issue of racial discrimination had disappeared as a matter of public concern, convinced that there was no longer a reason to think of blacks and whites as having different life chances(Chafe 528). Los Angeles embodied most of the multiracial demographic complexity which is where many blacks were suppressed although given still given supposed equal rights opportunities. One example being the AIDS virus. Treatment was available to the suppressed society, but werent able to afford the medication. The Rodney King incident was appalling and the only way to describe the verdict was what Chafe wrote, It was as though the jury had taken a hallucinogenic drug that altered totally what others saw as reality and the drug was race, (Chafe 529). The police officers caught on tape for the beating got off because of whites ruling the jury. O.J. being convicted of murder and having a black jury was pleaded not guilty. Benjamin Barber brings up a point of political futures neither being democratic. the forces of Jihad and the forces of McWorld operate with equal strength in opposite directions, the one driven by parochial hatreds, the other by universalizing markets, the one re-creating ancient subnational and ethnic  borders from within, the other making national borders porous from without. They have one thing in common: neither offers much hope to citizens looking for practical ways to govern themselves democratically, (Griffith/Baker 542). September 11 brought forth something America had never faced before, an attack on our home ground. Since this attack the society has been more conservative, realizing that America is not this leadership nation that watches over the world, but is just as suseptable to attack as anyone else is. This attack has brought all families closer and brought out American patriotism from within. The attack has put American flags on Football players helmets as well as all sports jerseys. What are we supposed to believe from the media, articles saying that information being portrayed to us is false and defying. Although we have gone through a roller coaster of events both ups and downs, America has always recovered and adapted to the changes in front of us. The Progressive Policy Institute believes that the latter is true and that the challenge now is to learn how to manage and govern in an era of sustained and constant innovation and adaptation, (Griffith/Baker 536). The 90s was a major turning point in America being the end of the old millenium and the start of a new one, allowing us to look at what is needed to be done both in domestic and foreign policy for this world and our society to go on. the 1990s embodied a summing-up of what had occurred in the preceding decades, as if the country were searching to find some way through the maelstrom of conflicting currents to a final sense of direction that might represent a new consensus on how to proceed, (Chafe 498).

The Abortion Debate: Are Abortions Immoral?

The Abortion Debate: Are Abortions Immoral? Abortion involves the loss of fetus and consequently loss of a future human being. It can only be justified in circumstances where the life of the mother is in danger and the consequences of failing to abort are great (Marquis 194). Marquis identifies two accounts that make killing wrong, namely, the discontinuation account whereby killing automatically terminates life and discontinues the experience of living to the victim, and the desire account, whereby killing interferes with the fulfillment of strong fundamental desire necessary for any other desire to be fulfilled (195). This is compounded by the fact that it is morally wrong to kill people who have little or no desire to live. It is equally wrong to kill the unconscious, the sleeping, those who are tired of living and even those who are suicidal. A fetus lacks desire to live and this makes abortion to be wrong (Marquis 195). People desire to live because they value what life has to offer. Furthermore the goodness of life is not secondary to peoples desire for it because it were so; the pain of premature death would be easily replaced with appropriate desire (Marquis 196). Despite the fact that fetuses are not in a position to value their future and their future may not be valuable to them, It is important to note that the future of a fetus is valuable to other people (Marquis 198). Support of abortion on the basis that an entity cannot possess the right to life unless it has the desire for its continued existence can easily be disapproved by the fact that failure of an individual to have interest in something does not mean that the individual does not have a right to it (Marquis199). Similarly, Bansens argument that a fetus lacks sentience, it cannot be wronged and cannot be a victim even if aborted is equally disapproved by the fact that fetuses have prospects and can be victims when aborted because they are deprived of their future and their prospects (Marquis 200). In view of issues discussed in this essay, it is evidently clear that abortion is not any different from killing, a practice that deprives the victim of a future-like ours. Fetuses possess a future and property that makes killing of adult human beings wrong, it follows without saying that abortion is ethically wrong (Marquis 201). Use of contraceptives cannot be equated to abortion because they only prevent fertilization and conception from taking place but this does not result to any form of killing (Marquis 201). Why Most Abortions Are Not Wrong Some people feel that decision to procure an abortion lies squarely on the pregnant woman because she is the one bearing the burden of unwanted pregnancy, while other people prefer keeping abortion safe and legal because of dangers associated with illegal abortion and inequalities associated with the poor and the minority women who are unable to control their fertility (Steinbock, Arras and Alex 471). Steinbock, Arras and Alex argue that abortion is not wrong because of the moral status of the embryo and the burdens resulting from pregnancy and childbirth on women (471). It is okay to kill a non- conscious fetus if a woman does not want to keep the pregnancy because killing a fetus does not deprive it of a future like ours. This is based on the simple scientific fact that a fetus is non- conscious and consentient hence it does not have a future like ours (Steinbock, Arras and Alex 472). A fetus cannot be equated to a new born baby because even though the fetus is alive and human, it is practically not aware of anything and it is not any different from a sperm and ovum which are also alive and human. Furthermore, a fetus cannot think, feel or even perceive anything as opposed to a new born baby. This makes Killing of fetuses to be morally different from killing babies because they do not have the ability to experience pain and pleasure. They are consentient; just like trees and they lack interest of their own hence it is impossible to consider their interests (Steinbock, Arras and Alex 472). Steinbock, Arras and Alex highlight that nonscentient beings cannot experience pain and suffering because it does not matter to them what they experience or what is done to them. Since fetuses are nonscentient, it follows that they do not have the ability to experience pain and pleasure. This is simply because their nervous system has not yet developed to transmit pain messages to the brain hence fetuses cannot be said to experience pain during abortion (473). Although fetuses are living, they do not have a life because they are nonsentient, they are equivalent to living cells in human beings which die or are simply killed. Such cells are not said to lose their live or to be deprived of their lives. Killing a fetus before it becomes conscious and aware does not deprive it of anything (Steinbock, Arras and Alex 473). The fact that fetuses are potential human beings does not qualify them to be treated as actual human beings. In any case living human beings are potentially dead but there is no reason to treat them like corpses (Steinbock, Arras and Alex 474). If fetuses; the potential human beings should be treated like real human beings, then the potential personhood attached to fertilized ova should also be attached to unfertilized eggs and sperms as potential human beings. Furthermore every player is also a potential winner and as such unfertilized eggs and sperms are also potential human beings and their potential should not be negated (Steinbock, Arras and Alex 474). Since neither the sperm nor the egg has a future of its own before fertilization, it follows that even the embryo does not have a future without the uterus and cannot develop all by itself without the uterus and adequate nutrients from the pregnant woman (Steinbock, Arras and Alex 477). A pregnant mother serves as a life support system to sustain the life of a fetus; hence the morality of abortion not only depends on the fetus but also on womans moral obligation to sustain the life of the fetus without terminating pregnancy (Steinbock, Arras and Alex 478). Pregnancies are associated with various burdens including labor, delivery and sometimes death. Outside the abortion context, there is no situation in which someone should undergo risks and burdens to preserve another persons life. Clearly, restrictive laws of abortion impose burdens on pregnant mothers that are not imposed on other people in comparable situations thus violating the principle of equal protection. (Steinbock, Arras and Alex 478). A woman should not be forced to undertake significant risks and burdens of keeping the fetus alive. After all such a woman would have to carry a bugger burden of raising a child against her wishes or even giving it up for adoption (Steinbock, Arras and Alex 479). It is morally right to terminate pregnancy for sex selection or for fetal reductions, especially where a woman has 3 or more fetuses because chances of them surviving are minimal if some are not killed. It is also risky to mothers health (Steinbock, Arras and Alex 481). Women have a amoral right to decide either to carry the burdens of pregnancy and childbirth or to abort. It would be much fair to put women to task on justifying their decision to have children instead of justifying their decision to procure abortion (Steinbock, Arras and Alex 482).

Looking At The Storys Behind Indian Art Cultural Studies Essay

Looking At The Storys Behind Indian Art Cultural Studies Essay I intend to do research on the Indian folk art forms, their styles, different symbols and forms as well as the context and cultural backgrounds. I will focus on MDAHUBANI PAINTINGS, a folk art originated from North India. This research will help me understand the characteristics of these art forms, which will inspire my animation story and visual style. The story of Indian art is also the story of one of the oldest and most resilient cultures on earth. Throughout its history, Indian art has combined local tradition with outside influences, and has evolved along with a civilization, which has been remarkably innovative in all areas. As in every culture, art has been a mirror of Indias fascinating history from the beginning, reflecting religious beliefs, political events, and social customs. Especially in folk arts we find a compelling and beautiful record of centuries of Indian culture. Introduction to Indian Folk Arts The somewhat lesser-known traditions of Indian painting are the so-called folk paintings dating back to a period that may be referred to as timeless. These are living traditions, intrinsically linked with the regional historic-cultural settings from which they arise. It has an age-old heritage that can be traced back to the beginning of civilization on this subcontinent [1]. It began with cave paintings, with the natural dyes so strong that they can still be seen today on the walls of the caves after centuries. The folk and tribal painting come from the remote rural and tribal regions. Sometimes the artists of these rustic works are not even educated. They lack the basic means to attend schools, and as they are gifted with such beautiful mean of expression by nature. The various painting forms coming from these regions began not just as a painting but also as a religious and social ritual performed daily. It began with painting the walls and floor of mud houses. They hide the belief that this purified the ambience and pleased the deities. Various religious and symbols were therefore seen within the painting. The term folk paintings here encompasses pictures made in Indian villages by both men and women, for ornamentation of their abodes, portrayals of their gods and for their various rituals; and, by local professional painters or artisans for use of the local people. All these paintings were produced in a variety of styles and themes. History, sociology and geography infused the painting of each region with local flavor. Their style and quality depended on the materials available in the place in which they were executed, these very factors that helps to identify the region. Folk art may be defined as the art created among groups that exist within the framework of existing society, but, for geographical and cultural reasons, are largely separated from the sophisticated and cultural reasons, and the developments of their time. As a result, they produce distinctive styles and objects for local needs and tastes. In folk tradition, art is nourishment to the daily life of the people. Whether he is a TAMILNADU (an Indian state) [2] potter who creates a massive terracotta AIYANAR (example in Appendix. Pic.1) or a MADHYA PRADESH (an Indian state) [2] tribal who creates PITHORA painting (example in Appendix. Pic.2), at the moment of creation, the poverty-stricken, illiterate folk, becomes a master-crafts-man who can create marvelous plastic and visual forms with a creative genius handed over to him by generations. Topography and geography too have control over the medium of art. In the case of UTTAR PRADESH (an Indian state) [2], we can find folk paintings on the walls of the houses. Whereas in ASSAM (an Indian state) [2], one cannot find wall paintings because most of the walls of the house are built with cane or bamboo. The folk and tribal traditions, consider all materials available in day-to-day life are worthy of serving as a medium of expression. In this regard, artist-writer, HAKU SHAH writ es, When a tribal touches a blade of grass, gourd or bead, fiber, twig, grain, pin, plastic button, conch shell, feather, leaf of flower, he sees through it, smells it, hears it, and therein starts the ritual of being with it [3]. Each part of the country with its own trees and plants, birds and animals, hills and dales has inspired Indian folk artists to have multiple metaphors, series of symbols and innumerable images to build a rich treasure-house of art. The following are the common stylistic characters in folk-art: Preference for simple outline and choice of typically representational lines; A simplification of colors and volumes so that shading is eliminated; Stylization of motifs to create decorative elements; and Repetition of lines, of entire figures, of dots for intensive or rhythmical purposes. Following is the list of some of the main folk arts from different parts of India Madhubani Painting Folk art of Madhubani from the Mithila region [2] of north India. There are different styles developed by different castes of the region. (Examples in Appendix Pic.16a 16h) Thanka Painting Combining the magnificent beauty with spiritual vision, Tankha is painting solely dedicated to Buddha and his teachings. These represent how the Buddhists see the universe. It is generally in eight layers with the upper most layers or part depicting a deity. The rest seven are the various elements of the universe like, fire, earth, space, water and air. Colorful and geometrical, these are many a time seen as the basis of temple architecture. These paintings are done with dedication, concentration, and passion and also with the deep religious feeling of doing something directly related with the supreme power. (Example in Appendix Pic.3a, 3b) Patachitra Painting Indian art Patachitra is a pre-Islamic form of religious art. It comes from the eastern Indian state Orissa [2]. Hindu gods and goddesses and other mythological scenes are painted on a leather-like surface made of several layers of old cotton glued together. (Example in Appendix Pic.4a, 4b) Kalamkari Painting Kalamkari Literally meaning pen-work, it is the religious painting on cloth with blocks and wax resist, from the temple town of KALAHASTHI in southeast ANDHRA PRADESH [2]. (Example in Appendix Pic.5a, 5b) Warli Painting Warli is a tribal community from MAHARASHTRA, India [2]. They have made a significant contribution to the heritage of Indian tribal art. Done by both men and women, these art works show their dedication to the nature and the superpower. (Example in Appendix Pic.6a, 6b) Gond Painting Tribal painting, Gond is a freehand expression of the Gond tribes of MADHYA PRADESH, India [2]. Painted freehand, these two dimensional paintings reflect their perception of life. The third dimension, the depth is always lacking in these paintings reflecting the simplicity of the artist. Sometimes these paintings also tell how colorful their imagination can be. They put colors to the blandest creations of the nature at times. (Example in Appendix Pic.7a, 7b) Batik Painting Batik, wax resist painting from WEST BENGAL, India [2]. Meaning wax-painting in Javanese, it originated in Indonesia and later revived in WEST BENGAL, India. The creativity of the talented dyers has given it a fresh new definition. The principle of batik is a simple one, wax or a similarly resistant substance such as rice paste is used to create patterns or motifs on cloth before it is dyed or colored in some way. When the wax is finally ready to be removed, the untouched cloth beneath it stands out as the original color of the cloth. (Example in Appendix Pic.8a, 8b) Miniature Painting Folk art miniature paintings inspired by the graceful romantic life style of the Mughals [4]. These paintings show one moment at a time and in minute details. The love scenes, the court scenes, various solitary women, animals, flowers all were closely observed and reproduced simultaneously. (Example in Appendix Pic.9a, 9b) Santhal Art The Santhal tribe, one of the famous tribes belonging to the Bihar state of India [2], has a typical style of painting, known as Santhal paintings. The bodies of the various forms that they paint are seldom or perhaps never in one shade, they are always striped, dotted or filled with any other geometrical pattern. They are done on a handmade paper with poster colors. The topics are selected from the natural surroundings or just from the happenings of their day-to-day lives. (Example in Appendix Pic.10a, 10b) Phad Art RAJASHTAN, an Indian state [2], the land of colors is known for Phad painting, which is done on cloth. This type of painting is mainly found in the BHILWARA district. The main theme of these paintings is the depiction of local deities and their stories, and legends of erstwhile local rulers. Phad is a type of scroll painting. These paintings are created while using bright and subtle colors. (Example in Appendix Pic.11a, 11b) Yantra Tantra art or yantra is used as an instrument or medium of focus on a deity while meditating. It is used while performing religious ceremonies. It is a graphical representation of geometrical or abstract images such as triangles, squares, pentagons, hexagons or circles. (Example in Appendix Pic.12a, 12b) Chittara Chittara, meaning picture is an expression of the village artists of KARNATAKA India [2]. Chittara is done on handmade paper. This paper is coated with mud first and then the desired color of the background is given to it by various colors extracted from the natural objects. The color red is procured by grinding a special red stone, the color black is procured by grinding burnt rice and soaking it in water for few days, mud and rice paste gives white. (Example in Appendix Pic.13a, 13b) Introduction to MADHUBANI Paintings Painting is generally done by folk artists or classical artists in three ways: wall-painting (BHITTI-CITRA), canvas-painting (PATA-CHITRA) and floor-painting (ARIPANA). Of these the wall-painting and the floor-painting are very popular in MITHILA region [2]. The Wall-painting or mural paintings, popularly known as MITHILA painting or MADHUBANI painting. MADHUBANI, literally meaning from the forest of honey is the name of the village from where comes the MADHUBANI paintings. Situated in the interior of northern India, this art is the expression of creativity in the day-to-day life of the local people. Done mainly by the females of the family, this art is regarded as a part of daily ritual. Initially all vegetable dyes were used for the paintings but today they have access to the variety of poster colors to cater to their needs and to enable them for more experiments with colors. The estimated date cant be traced back to the actual era that brought MADHUBANI art in to existence. It is however centuries old art that is associated with the normal lives of the villagers. In that region it is believed that every morning the worshipped deity comes invisibly to the household to bless the members of the family and also to bring more prosperity. So this art started as a welcome painting for deities. It started from the entrance floor and the exterior of the house. Passed from mothers to their daughters, the art of MADHUBANI has constantly been improving in its quality. As this tradition was initialized with a purpose of decorating the exterior of the house, the walls and the floor always served as the canvas. Floor-painting (ARIPANA) The art of ARIPANA or floor-painting has been handed down from generation to generation. There is not a single house in MITHILA in which ceremonies are held without ARIPANA. The women of MITHILA specialize in drawing circular patterns of designs with a white liquid paste made of ground rice mixed with water. Sometimes vermilion is also applied, besides white, red, green, yellow and black colors. In various ARIPANA designs, they have the images of gods and goddess painted on different shapes and forms with multiple colors, reflecting the artists originality and imagination. ARIPANA is an indigenous word, which means the art of drawing embankment or wall. The word is derived from ALIMPANA or ALEPANA (of Sanskrit origin) and though grammatically correct, it falsifies the real origin of the word [5]. (Example of ARIPANA art in Appendix. Pic.14a, 14b) The land and people North of the river Ganges, in the state of BIHAR [2] lies a land called MITHILA, shaded by old mango groves and watered by melt water rivers of NEPAL [2] (Indian neighbor country) and the Himalayas. MITHILA has played a noteworthy part in the political and cultural life of ancient India. It is a land full of the beauty of landscape in sharp contrast to the ugliness of poverty in which its people, most of whom are talented painters, live, who accept their fate, good or bad, and paint for painting sake. It is said that altogether MITHILA was the home where the enlightened and the learned might always find a generous patron, peace and safety, where courts were devoted to learning and culture and where poets and philosophers lived in honor and affluence. Even though women in the villages around MADHUBANI have been practicing their folk art for centuries, the world at large has come to know about these women and to consider them to be artists only in the last forty years. Even now, most of their work remains anonymous. The women, most of them illiterate, are reluctant to consider themselves individual producers of works of art and only a few of them mark the paintings with their own name. Among the first modern outsiders to document the tradition of MADHUBANI painting were William and Mildred Archer. Mr. Archer was a British civil servant assigned to the district during the colonial era (till 1947). The Archers obtained some drawings on paper that the women painters were using as aids to memory. Works that the Archers collected went to the India Records Office in London (now part of the British Library) where a small number of specialists could study them as creative instances of Indias folk art [6]. The women painters in MADHUBANI lived in a closed society and were unwilling to paint openly. Eventually due to a drought (1966-68) in the surrounding areas of MITHILA that resulted in severe economic crisis women began to commercialize their art. The All India Handicrafts Board [7] encouraged the women artists to produce their paintings on handmade paper for commercial sale. The government of India, the state government of Bihar and the regional craft guilds has all come in together to initiate the productions and marketing for these women painters. This sudden change in the form of art and its presentation has enabled the world to discover a new form of art with an enviable linkage to the lives of women [8]. The Style of painting This style of painting belongs to North Bihar. In keeping with the tradition under which it began, the style is replete with symbols of fertility like the lotus plant, the bamboo grove, birds, fish, etc. in union. The art shifted to drawing paper in the 1960s, and this brought with it a new freedom and creativity. Paper is movable and economically feasible too. Figures from nature mythology are adapted to suit this style. The themes designs widely painted are the worship of Hindu deities such as KRISHNA, RAMA, SIVA, DURGA, LAKSHMI, SARASWATI, Sun and Moon, TULSI (basil) plant, court scenes, wedding scenes, social happenings around them, etc. Floral, animal and bird motifs, geometrical designs are used to fill up all the gaps. There is hardly any empty space in this style. The skill is handed down the generations, and hence the traditional designs and patterns are widely maintained. One of the main features of MITHILA paintings is simplicity. All that is required for the artist is a suitable surface, ordinary paints, and local brushes. Preliminary sketching is hardly required in MITHILA paintings because the outlines are developed in a single sweep of the brush. Tools Used No sophisticated tools are needed in MADHUBANI paintings. Artists are still unacquainted with the modern brush. The traditional brush is made from a bamboo-twig by wrapping the twig up with a piece of cloth or by having its end frayed in such a way that the fiber looks like a bundle of hair. Color Scheme The artists prepare the colors. Black is obtained by mixing soot with cow dung; yellow from turmeric or pollen or lime and the milk of banyan leaves; blue from indigo; red from the KUSUM flower juice or red sandalwood; green from the leaves of the wood apple tree; white from rice powder; orange from PALASHA flowers. The raw materials were mixed with goats milk and juice from bean plants. Today green, blue, red and orange have been added to these colors. The colors are applied flat with no shading. There is normally a double line drawn for the outlines, with the gap between the lines filled by cross or straight tiny lines. In the linear painting, no colors are applied. Only the outlines are drawn. Some villages only produce black ink drawings. Other villages use pink, yellow, blue, red and parrot green, each paint mixed with the traditional goats milk. Impact of Hindu religion and mythology in Indian folk arts Hinduism Religion has been a definitive influence on Indian Art. Hindu Paintings featuring Hindu gods, Hindu goddesses, and the various Hindu pantheons are one of the most prominent symbols of Indian and Hindu Art. Hindu god/goddess in branding In India, manufacturers try to affect the psyche of consumer, by branding an item with the names and images of Hindu deities. They bring the premium image of a God and His virtues and associate them to their product, thus exploiting the mass recognition of well-established imagery of the God to boost product branding. The beauty of this strategy lies in the fact that the companies using Gods images do not have to be concerned about any kind of intellectual property issues like copyright, thus enjoying an immense credibility just by virtue of having connected their name to a venerated name. This kind of branding shows the popularity of god/goddess images in India and the corporate/legal freedom of their use. Manufacturers use images and names of Hindu Gods on product labels and promotion materials to attract buyers attention. Even in America some of the phone card companies like MCI, which target Indian consumers, print Gods images on its international phone cards and sometimes even t he phone card itself is named after a God. In India the largest group of advertisers are the food marketers, followed by marketers of drugs and cosmetics, soaps, automobiles, tobacco, appliances, and oil products. All of these companies somehow associate their products virtues with the virtues of a God and try to sell it to the consumer, who can very well relate to the image presented. For instance, Indian jewelers use image and name of Goddess LAXMI, who is considered the ruler of all material wealth extensively. One of the most famous names among jewelry shops in India is: Maha Laxmi Jewelers. (Examples of some Ads and products in Appendix. Pic.17a 17j) Forms and symbols in MADHUBANI Paintings The motifs of the designs include conventionalized flora and fauna, circles in series, spiral or curvilinear devices, series of short lines, foot-points of fragmentary (imaginative) pictures illustrating legends and stories, giving glimpses of environmental and natural life. While the religious paintings include various gods and goddess, the secular and decorative paintings contain various symbols of prosperity and fertility such as elephant, horse, fish, lion, parrot, turtle, bamboo, lotus, flower, PURAINA leaves, PANA, creepers, SWASTIKA etc. Besides, we also come across in these paintings aspects of agricultural animal life, which plays an important role in the rural economy of MITHILA. The animal, in fact, is a duplicate representation of energy and character of God. Thus, the subject matter generally falls into two groups: (1) A series of heavenly forms. (2) A series of strictly selected vegetables and animal forms. For different occasions, they have different forms and symbols attached to these paintings. Wedding Paintings At weddings, the following objects the sun and moon, a bamboo-tree, a circle of lotuses, parrots, turtle and fish come into prominence. These paintings draw their themes mostly from the PURANAS and epics. The most prominent image looming largest on the walls are the bamboo-tree and the ring of lotus, the KAMALAVANA or PURAINA. The focus is on fertility, and the marvelously intricate diagrams of the KAMALAVANA, the PURAINA and the forest of bamboos are, as pointed out by Archer, MANDALAS and diagrams of the generative organs. The lotus circle is not only a lotus but also the symbol of the brides sex, while the bamboo-tree is a bamboo, it also represents the phallus. (Although sometimes it is said that the women artists iconize the husbands patrilineage as a stand of bamboo.) In other words, lotus is a female and bamboo is a male. According to Archer, the latent symbolism reaches its height in the many paintings in which the bamboo-tree is depicted not as aloof and apart but as driven through the center of a clinging circle [9]. There are also minor symbols of parrots, turtles, fish, sun and the moon. In Indian context, the parrots symbolize the lovebirds and they feature constantly as images of the bride and bridegroom in folk songs and poetry. Turtles also have a significant place because they associate water with all its beneficent power with marriage, their strange shape being diagrammatic of the lovers union and their head and tail emerging from the shell looks like the exact counterparts of the bamboo plunging in the lotus. Then, there are fishes which are emblems of fertility and, finally we have sun and moon who are inserted because of their life-giving qualities. (Example of marriage art known as KOHBAR in Appendix. Pic.16a 16h) About the MADHUBANI painting Artists: Baua Devi Baua Devi is one of the most respected artists in the MITHILA community, and certainly the most successful. She lives in JITWARPUR, the village where she was born. Her work has been exhibited widely throughout India as well as the Center Georges Pompidou in Paris and at the MITHILA Museum in Tokamachi, Japan [10]. Also, at the MATRIX show at UC Berkeley Art Museum, 1997 [11] included two mural-scale paintings by Baua Devi, one depicting the life of KRISHNA, the other, a festival around a pond in a Mithila village. The scope of MADHUBANI paintings, its popularity in India and in other parts of the world MADHUBANI Painting has lately received much attention and popularity. There are quite a few websites devoted to MADHUBANI painting. I simply would like to add that the credit for bringing recent and massive popularity to this art form goes, in large measure, to the Lalit Narayan Mishra. In his capacity as the Minister for Railways in Mrs. Indira Gandhis cabinet, reproductions of these paintings adorned the coaches of many fast and super-fast trains. [12] Copies of the paintings became a hot-selling item for both native and foreign travelers. The reproductions could be found in plenty, for instance, among the hawkers in the bustling street side market along the JANPATH in New Delhi, India a must for the foreign tourist! Credit is due also to Mr. Bhaskar Kulkarni, erstwhile member of the Indian Handicrafts Federation. He was the first to organize an exhibition of this school of paintings at New Delhi in 1967 [13]. This brought instant international recognition. Folk art is having a tr easure house of symbolic language to contribute as a gift to Modern art. Folk in a sense carries the connotation of anonymity, collective wisdom, spontaneity and simplicity. With the development of Anthropology a new awareness has come into understanding the primitive and folk traditions. Anthropology has proved that regionalism in art is not against internationalism. [14] Conclusion MADHUBANI paintings are popular because of their tribal motifs and use of bright earthy colors. I would like to explore how these unique features of folk art could be successfully translated into the form of Animation. Based on my research I have these findings about MADHUBANI PAINTINGS characteristics: -The figures are recognizable by a face in profile while the rest of the body faces the front. -The face has one very large eye and a bumpy sort of nose coming out of the forehead. -The figure outlines are drawn as a double line with diagonal hatching between them. -The borders are highly decorated either geometrically or with ornate floral patterns. -Clothing also is highly decorated with geometrical, floral or even animal patterns. -The drawings of animals are easily recognized for what they are, but again tend to be very stylized. -The forms and symbols in these paintings have their own significance and different forms and symbols are used on different occasions. -There could be different interpretations of symbols and its uses. -These paintings have a limited number of colors and each color has its own meaning. Artists prepare the colors applied. -The artist uses traditional brushes (made from a bamboo-twig) for drawing. With time medium has changed. Originally these paintings were done on walls in villages. Later, the artists successfully transferred their techniques of wall painting to the medium of paper. Now most of the artists use watercolors and handmade papers. At the same time they maintain the characteristics and style of paintings although the medium has changed. In order to create a new source of non-agricultural income, different organizations encourages the artists to produce their traditional paintings on handmade paper for commercial sale. This way now it also widely spread. Even in the more recent work on paper, the themes are normally the Hindu Gods and Goddesses and stories from Hindu mythology. They exhibit their paintings throughout India as well as different parts of the world. Now with the advent of digital tools like Macromedia Flash, which can produce the similar kind of drawings using different combinations of pencil and brush strokes. Use of digital tools also makes these dr awings faster and more effectively as these paintings has lots of repetitive patterns. So we can say, transferring the techniques of wall painting to the medium of paper gained these paintings more popularity and recognition. Same way I strongly feel that when these styles and characteristics of MADHUBANI paintings will be transformed into digital medium, such as animation, it will take the paintings to the next level, where these folk art styles will be used by more and more digital artists from India and all over the world. End Notes [1] Based on the art history timeline the art produced on the Indian subcontinent from about the 3rd millennium BC . However based on the recent findings, An archaeological site off Indias western coast may be up to 9,000 years old. The revelation comes about 18 months after acoustic images from the sea-bed suggested the presence of built-up structures resembling the ancient Harappan civilization, which dates back around 4,000 years. . [2] States from India. Map of India Appendix Pic.15 [3] Thakur, Upendra, MADHUBANI Painting. New Delhi: Abhinav Publications, 1982. [4] Roy, The Bratas of Bengal, The RANGOLI or ARIPANA, KOLAM or MURGGY, as it is known in Bombay (now Mumbai), TAMILNADU and ANDHRA, is a pleasing decoration of the ground. [5] The Mughals ruled in India from 1526 to 1857. The Mughal period can be called a classical age in northern India. In this cultural development, the Indian traditions were amalgamated with the Turko-Iranian culture, brought to the country by the Mughals. [6] Gene R. Thursby, University of Florida . [7] Ministry of Textiles (Govt of India) [8] Madhubani Painting Workshop Brochure. . [9] Archer, W.G., MADHUBANI Paintings. Mumbai, 1998. [10] The Mithila Museum in Tokamachi, Japan. . [The Mithila Museum is housed in a converted schoolhouse in Tokamachi, Niigata Prefecture, situated in Japans snow country. Here approximately 850 Mithila paintings, more than 300 paintings that the Mithila artists created in Japan, Warli paintings by an aboriginal group in India, and Indian teracotta statues and figurines, are exhibited on a permanent basis.] [11] Baua Devi and the Art of Mithila. . MATRIX: August 15 through October 26, 1997 at the UC Berkeley Art Museum. [This is the first United States exhibition of paintings on paper by the Indian artist Baua Devi. The exhibition also includes a selection of works by other artists from the Mithila region of northeastern India. Baua Devis paintings explore an array of personal and mythological themes. An image, which she has come to adopt as her own is the nag kanya, or snake maiden, a creature with the torso and head of a beautiful woman and the lower body of a snake. The nag kanya resembles the snake goddess Manasa, whose attributes echo those of the key Hindu god Shiva. The nag kanya also derives from the real snakes that occupy the watery region where Baua Devi lives.] [12] Railways in North Bihar. . [13] Mr. Bhaskar Kulkarni. . [14] The Art of Folk Tradition. . References Thakur, Upendra, MADHUBANI Painting. New Delhi: Abhinav Publications, n.d. Thakur, Upendra, History of MITHILA. New Delhi: Abhinav Publications, n.d. Jain, Jyotindra, Ganga Devi: Tradition and Expression in Mithila Painting. Ahmedabad, India: Mapin Publishing Pvt Ltd., 1997. [A fine book on a leading artist who practiced what is sometimes called the Kayastha style of MADHUBANI painting.] Vequaud, Yves, The Women Painters of Mithila. London: Thames and Hudson, 1977. [A book that contributed to and then reflected the worldwide popularity of MADHUBANI painting.] Osaki, Norio, MADHUBANI Paintings. Kyoto Shoin, 1998. Shearer, Alistair. The Hindu Vision: Forms of the Formless. Thames Hudson, 1993. Aldred, Gavin. Indian Firework Art. Trafalgar Square, 2000 Prakash, K. Authentic Folk Designs from India. New Delhi: Dover Pubns, 1995. Dawson, Barry. Street Graphics India. Thames Hudson, 2001. Archer, W.G., MADHUBANI Paintings. Mumbai, 1998. Anand, Mulk Raj, MADHUBANI Painting. New Delhi: Publications Division, Ministry of Information and Broadcasting, Government of India, 1984. Online exhibit of MADHUBANI Paintings. . About an Artist.. The MAITHILI BRAHMANS: An Online Ethnography.. Marketing God: About religious content on Indian television.

Physics of Lift Essay -- physics lift airplane fly

Lift is a commonly used term to describe "something" that results in objects moving upwards against the force caused by gravity. This "something" is actually a force in itself. Lift is one of the four main forces that act upon all objects that move through the air. These four forces are: # Lift - an upward force on the object # Weight - a downward force due to the acceleration of gravity # Thrust - a forward force (propulsion) # Drag - a force caused by resistance that acts in the opposite direction of thrust Lift is a simple concept to grasp, yet the reason it exists is a complex one. To this day there is still great debate over what is the cause of lift. There are several popular explanations given which are commonly found in student textbooks, and even pilot training manuals, yet these popular explanations do not stand up to serious physics analysis. The most common of these arguments is based off of Bernoulli’s Principle. As it has been named, "Bernoulli’s" argument states that the reason lift is created in wings is that the upper surface of the wing is curved, and therefore longer than the underside of the wing (In truth, Bernoulli had nothing to do with this explanation of lift, it is only attributed to his principle). The argument goes on to say that if the upper surface is longer than that of the bottom, the air flowing over the upper surface must travel faster as it has farther to travel. Using Bernoulli’s Principle this explanation says that because the air traveling over the top of the wing is moving faster than the air under the wing the air above the wing exerts less pressure on the wing than the air under the wing. If there is less pressure above the wing then the air under the wing will push upwards on the... ...del for lift, even though it works in reality. In conclusion it can be seen that lift is derived from the fact that for there to exist a lifting force created in the wings the wings must exert a force on the air around them. The wings are able to do this due to the viscosity of air and the Coanda effect. By manipulating the wing's curves and angle of attack a pilot may preform great stunts and feats not possible if lift were to be explained through other incorect models. More information about lift, as well as a very detailed explanation of exactly how a wing interacts with the air around it can be read in the journal article: "A unified viscous theory of lift and drag of 2-d thin airfoils and 3-d thin wings" author Yates, John, published by National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Program in 1991.

Mark Twain and Huckleberry Finn :: essays papers

Mark Twain and Huckleberry Finn In 1884, Mark Twain wrote one of the most controversial and remembered novels in the world of literature, The Adventures of Huckleberry Finn. Mark Twain was the pseudonym of Samuel Langhorne Clemens. He was born in Florida, Missouri, Nov. 30, 1835. Twain was one of six children. This contributed to his family being poor. Twain often had to find inexpensive forms of entertainment. Twain made Huckleberry Finn represent him fictionally in this book. Huck did the same typical boy things as Twain. ^Now, we'll start this band of robbers and call it..." was one of the things Huck said (Twain 9). When Twain was four years old, his family moved to Hannibal, Missouri, a small town on the west bank of the Mississippi River. The Mississippi River and the towns along it were used as the setting in The Adventures of Huckleberry Finn. "We judged that three nights more would fetch us to Cairo, at the bottom of Illinois, where the Ohio River comes in^^ (Twain 106). Huck and Jim were trying to reach a town named Cairo. It was located in a free state, Ohio. Cairo was just one of the many towns Twain referred to in this novel. Twain even used familiar dialects in his novel. He stated at the beginning of the novel, "the Missouri negro dialect; the extremest form of the backwoods Southwestern dialect; the ordinary Pike County dialect... are used to wit..." (Twain 1). In this book, as they traveled down the Mississippi River, the values of Huck and Jim were contrasted against those of the people living in the southern United States. Huck (the narrator and one of the main characters) and Jim(another main character) were both trying to reach freedom. Twain based this book on things that were happening during this time in his life. Huck was introduced without a father in his life. Twain's father had died when he was about Huck's age in the book. Twain portrayed religion and the morals of the southern society with satire. "The men took their guns [to church] ... and kept them between their knees...^ (Twain 142) was just one example. In the time of Twain's life that he wrote this novel, the Civil War had just ended. The war had tested society's morals. The issue of slavery was important to Twain which was the reason morals were portrayed in this way. The freedom and peacefulness of the river soon gave way to the

Zheng He or Christopher Columbus?

who was the greatest explorer Christopher Columbus or Zheng He? Tristan Stanchfield A great explorer in my mind requires being a visionary thats willing to pursue his goal despite the challenges faced, supported by high risk undertakings where the winnings are all or nothing, set on the uncertain future with a non back looking persona. That, and if the outcome is great is what my judging is based on. Zheng He, originally named Ma He, was born into a Muslim family just beyond the borders of China (later Yunnan Province in the southwestern part of China) in 1371.In 1402, after Emperor Cheng Zu of the Ming Dynasty ascended the throne, he dispatched Zheng He and Wang Jinghong to lead a giant fleet to the Western Sea (today's Southeast Asia), carrying members of soldiers and large quantity of goods. The fleet reached the countries of Southeast Asia, east Africa and Arabia, initiating a feat in the history of navigation and regarded as an unprecedented great historical period in Chinese hi story of trade and cultural exchanges. He led his fleet to voyage to the Western Sea for seven times.The number of ships of his fleet was from 40 to 63 each time, taking many soldiers and sailors on the voyage, with a total party over 27,000 people. and also took with him ships almost four-hundred feet long. Explorer and navigator Christopher Columbus was born in 1451 in the Republic of Genoa, Italy. His first voyage into the Atlantic Ocean in 1476 nearly cost him his life. (attacked by french privateers). In 1492, Columbus left Spain in the Santa Maria, with the Pinta and the Nina along side in search of a new trade route to Asia.Instead he sailed West and discovered America, and has been credited for the colonization of America also. in my opinion the greatest explorer was christopher columbus. this was because he was he founded America, and this took the high risk of sailing across the north atlantic ocean which he acomplished. Then he made several more voyages back and fourth fr om europe and America trading goods also at the same time creating colonies in the new world we live in today known as the United states of America. cites: iphone siri, http://www. biography. com/people/christopher-columbus-9254209, wikipedia. com.

Alternative Communication System Essay

Pascal was an outstanding genius who studied geometry as a child. At the age of sixteen he stated and proved Pascal’s Theorem, a fact relating any six points on any conic section. The Theorem is sometimes called the â€Å"Cat’s Cradle† or the â€Å"Mystic Hexagram.† Pascal followed up this result by showing that each of Apollonius’ famous theorems about conic sections was a corollary of the Mystic Hexagram; along with Gà ©rard Desargues (1591-1661), he was a key pioneer of projective geometry. He also made important early contributions to calculus; indeed it was his writings that inspired Leibniz. Returning to geometry late in life, Pascal advanced the theory of the cycloid. In addition to his work in geometry and calculus, he founded probability theory, and made contributions to axiomatic theory. His name is associated with the Pascal’s Triangle of combinatorics and Pascal’s Wager in theology. Like most of the greatest mathematicians, Pascal was interested in physics and mechanics, studying fluids, explaining vacuum, and inventing the syringe and hydraulic press. At the age of eighteen he designed and built the world’s first automatic adding machine. (Although he continued to refine this invention, it was never a commercial success.) He suffered poor health throughout his life, abandoned mathematics for religion at about age 23, wrote the philosophical treatise Pensà ©es (â€Å"We arrive at truth, not by reason only, but also by the heart†), and died at an early age. Many think that had he devoted more years to mathematics, Pascal would have been one of the greatest mathematicians ever.